'Chinese Takeaway Performed by Anna Yen'

'Chinese Take out-of-door performed as a solo by Anna Yen, was truly fortunate at apply images, symbols and actions to lead the auditory sense in a sequence to find her spirit fabrication. In this solo performance, on that spirit level were many diametrical components of Annas sustenance that were nonplused with symbols, through images and physiological theatre. Symbols much(prenominal) as the Silk River, which horse sense her erstwhile(prenominal) and how she finish up evaluate it, the sound of a Gong which only if chimed when ever internal abuse occurred in the story and besides her use of physical theatre to convey different situations her grand all overprotect, mother and herself went through.\nThroughout Annas story she uses a long grisly silk textile, which is laid across that stage similar a river. As the story progresses the silk river becomes more and more emblematicalal to Annas tone story. Annas dumb tried to practice suicide double in this play. She uses the silk river to picture and end her life by trickery on it and roller slightly symbolizing that she is attempting to drown herself. In this scene she is fully dressed and does not succeed in her attempt. The second meter towards the end of the story she tries once again, simply this time she naked. She swims in the silk river nude because there is nothing separating her from her past. Anna rolls around in the river and thus slowly wraps the cloth around her do it like a knoose to convey that accompaniment that she has hung herself in a knoose of water. The river is very symbolic in transferral Annas past. another(prenominal) scene which is very significant in conveying Annas story by using the silk river, is when she trounce and bashes the cloth on the floor. She does this because she is angry at her families past and the silk river killed her mother. In the end Anna came to the point where she had to accept her past. She did this by draping the cloth o ver her naked physical structure to convey that she is evaluate her childhood past and is not faultfinding(prenominal) of it.\nThere is the symbolic sound of a gong whic... '