The first Academy of Art was founded in Florence by Giorgio Vasari, who c completelyed it the Accademia del Disegno - the academy of representation by signs. There students learnt the imposturei del disegno, a margin coined by Vasari, and included lectures on anatomy and geometry. Another academy, the Accademia di San Luca (named after the protagonist saint of painters, St. Luke), was founded a decade or so afterward in Rome. More so than the Florentine Accademia del Disegno, the academe di San Luca served an educational function and was more concerned with art theory. The academe di San Luca later(prenominal) served as the mock up for the Royal Academy of characterization and sculpt founded in France in 1648. The Academie francaise very probably adoptive the term arti del disegno which it translated into beaux arts, from which is derived the English term Fine Arts. The Academie francaise was founded in an crusade to distinguish artists, who were gentlemen practicing a lib eral art, from craftsmen, who were engaged in manual labor. This emphasis on the intellectual component of art making had a considerable impact on the subjects and styles of academician art.
After the Academie francaise was reorganise in 1661 by Louis XIV (whose fill was to control all the artistic activity in France) a contr oversy occurred among the members that were to overleap artistic attitudes for the rest of the century. This was what has been described as the battle of styles, the fighting over whether Peter Paul Rubens or Nicolas Poussin was a able model to follow. Followers of Poussin, called poussin istes, argued that line (disegno) should dom! inate art, because of its appeal to the intellect, speckle following or Rubens, called rubenistes, argued that color should dominate art, because of its appeal to emotion. Nicolas Poussins Et in Arcadia Ego... If you urgency to get a full essay, order it on our website:
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